Skip to main content

Three Common Culprits: Fragments, Fused Sentences, and Comma Splices

Ever wonder why we can't just write the way we talk? Wouldn’t it be so much easier if we could? For most of us, however, writing the way we talk isn’t a great idea. Just listen to Boomhower from King of the Hill as he calls 911. 



Can you imagine an academic paper written Boomhower style?

No. Definitely not.

This may be unwelcome news, but readers do have expectations of writers, and those expectations change from setting to setting. For example, if we read a creative piece—say The Adventures of Huckleberry Finn by Mark Twain—we likely would have more patience with the material than if we read a news article in a periodical (magazine or newspaper) or a professional web page. Readers’ expectations change according to the setting. You might have a group of readers who watch Family Guy or read comic books, and those readers would still expect a more formal writing style if they read your college paper. 

The sentences need to be clear, first of all.  Verlyn Klinkenborg puts it this way in his book Several Short Sentences about Writing: “The only link between you and the reader is the sentence you’re making” (4).

Among many other things, you want to make sure your sentences avoid fragments, fused sentences, and comma splices. These three culprits, though not the only writing villains out there, can derail even the savviest of writers.

Fragments are words and phrases that are punctuated like sentences but are not truly sentences.  A fused sentence is two sentences joined to make one sentence; it should be punctuated where the two sentences come together but is not.  And a comma splice is two or more sentences that are joined by a comma when they should have a semi-colon (;) instead—commas are not always strong enough to hold two sentences together. These writing blunders do come closer to how we speak but are certain to cause confusion for our readers. For example, we start and stop when we talk all of the time, and our listener clues us in when we need to elaborate. In regards to fragments, our listener usually intuits our meaning without requiring the speaker to use complete sentences.

Here’s an example:

“Got your dog?”

“Sure enough,” Michelle replies.

Phrases like “Got your keys?” and “Sure enough” are fragments. When people are speaking directly to each other, these phrases work well. In writing, that understanding between writer and reader is different. For one thing, the writer writes in a different time and space than the reader reads the work. There is no live conversation, no real time interaction, no body language, and no cues for the speaker and audience to exchange. Therefore, what was intuitive in speech is just confusing on the written page.

Fused sentences wreak havoc because these are the never-ending sentences readers need a break between thoughts they also need to understand which information within a sentence is most important, such as if the sentence mentions a major accident, compared to the rest of the sentence. If punctuation isn’t used properly, the reader’s eyes will tire while reading at best at worst, the reader could become confused by the passage and stop reading. No one wants that. (By the way, how could you fix this portion of the blog so that there are no fused sentences in here?)

Of course, your college professor will not stop reading your work; that professor will read the entire paper. But if you never fix these errors and get good practice in now, you’re likely to commit the same errors on a cover letter and/or resume, and your prospective boss will stop reading your job application.

The third, and likely the sneakiest, of sentence flaws is the comma splice. The word splice itself means to connect two things. A comma splice occurs when two or more sentences are joined by only a comma. The problem is that a comma alone cannot connect two complete sentences. A comma needs a coordinating conjunction to complete the job (and, but, or nor, for, yet, or so). Because commas are the most versatile punctuation marks we use, it’s easy to stick them everywhere in writing; however, it’s important to use them appropriately.

In the professional world, just remember the Sweet Brown motto: “Ain’t nobody got time for that.” 

Put it in a more professional way—“No one at work has time to figure out what you meant to say; they only read the words you actually wrote in the way you wrote them.” So, if your writing features fragments, fused sentences, and comma splices, your job application or your brilliant, cost-saving proposal may end up in a different pile than you had hoped. And truly, you ain’t got time for that.

Don’t know how to fix these errors? Well, that’s why these blog posts are following the Dirty Dozen topics. We offer a workshop on how to identify and fix these three errors on Monday, September 11, at 11 a.m. in the Davis Library's Seminar Room. The workshop is repeated on Tuesday, September 2, at 8 p.m., in the same location. Additionally, you can use any of these resources to help you revise fragments, fused sentences, and comma splices:

Dirty Dozen Powerpoint
Sentence Fragments
Fused Sentences and Comma Splices
Checklist for Effective Sentences

Comments

Popular posts from this blog

Things Get in the Way

Imagine this: you and your significant other are at a campus event. You can’t help but notice another person making eyes at your sweetie. In fact, you find that you are pretty upset because this person is threatening the agreement between the two of you. That agreement is, obviously, that you are a couple. A similar situation can happen in sentences when considering subject-verb agreement. In the classic Strunk and White’s The Elements of Style, 4 th ed ., subject-verb agreement is described as the following: “The number of the subject determines the number of the verb” (9). Yep. Words have to agree. Agreement is paramount. When writing in English, the only numbers a writer needs to concern herself with are one—a.k.a. singular—and more than one—a.k.a. more than one. It’s pure symmetry. However, when phrases interrupt that symmetry, a Pandora’s Box of confusion springs open. The subject and verb agree in the following sentence: Corey loves beating Michel at Call of Du...

On Writing... (#1) - compiled by Sue Ledger

Start writing a new chapter, for if you live by the book you'll never make history. - Ben Sobel There is an art of reading, as well as an art of thinking, and an art of writing. - Benjamin Disraeli No race can prosper till it learns there is as much dignity in tilling a field as in writing a poem. - Booker Taliaferro Washington I learned that you should feel when writing, not like Lord Byron on a mountain top, but like child stringing beads in kindergarten - happy, absorbed and quietly putting one bead on after another. - Brenda Ueland Journal writing is a voyage to the interior. - Christina Baldwin Always be nice to those younger than you, because they are the ones who will be writing about you. - Cyril Connolly Major writing is to say what has been seen, so that it need never be said again. - Delmore Schwartz Life can't ever really defeat a writer who is in love with writing, for life itself is a writer's lover until death - fascinating, cruel, lavish, warm, cold, treache...